Session Work
Session work starts at $125/song per instrument. Additional instruments are $75 each.
Banjo (3-finger or clawhammer)
Pedal Steel
Acoustic Guitar
I record out of my home studio and use Logic as my DAW with an Apollo Twin Duo Core Interface.
I run my mics through Cranborne Audio and CAPI V26 500 series mic preamps and have a large selection of high quality microphones.
Artists I’ve worked with:
Nathan Johnson for the Poker Face Soundtrack on Peacock (recording)
Judy Collins & Willie Nelson - "When I Go" (recording)
Woody Platt & Shannon Whitworth (performing & recording)
Jerry Douglas (performing)
Billy Strings (performing)
Del McCoury (performing)
Ben Sollee & Kentucky Native (performing & recording)
Weird Al Yankovic (Last Week Tonight with John Oliver) (performing)
Steve Martin & Edie Brickell's Bright Star on Broadway (performing)
The Bright Star Cast Recording (recording)
Elle King (performing)
The Greatest Showman Soundtrack (recording)
The Sam Grisman Project (performing)
Jim Lauderdale (performing & recording)
Balsam Range (performing)
Zoe & Cloyd (performing & recording)
Kristy Cox (performing)
Claire Bowen (performing)
“Bennett Sullivan brings studio sessions to life with his versatility, creativity, and virtuosic talent. He’s easy to work with, masters the vibe and pace of the studio, and delivers fast, efficient tracks. I’ve truly valued every session with him on banjo and pedal steel.”
“Working with Bennett has been fantastic. For Poker Face, I wanted to capture a very precise approach to banjo that could tip between ominous darkness and a brighter dusty optimism of the American open road. Not an easy order, but Bennett was incredible – he immediately understood and was able to translate the very specific things I was writing into beautiful performances. A total pleasure to work with, both in the studio in LA and on remote sessions from his home studio.”
“Bennett is such a badass!! We flew him into LA to record the banjos for Rian Johnson’s Poker Face Season 1, but for Season 2 he recorded in his own studio. He’s fast, thorough and most importantly incredibly musical...just an all-around top-tier talent that will level up any production.”